Sandro Botticelli

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The Banquet in the Pine Forest
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The Banquet in the Pine Forest

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Cestello Annunciation (detail 1), 1489-90
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Cestello Annunciation (detail 1), 1489-90

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Three Temptations of Christ (detail 6) 1481-82
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Three Temptations of Christ (detail 6) 1481-82

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Vision of St Augustine
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Vision of St Augustine

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Adoration of the Magi 1470-75
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Adoration of the Magi 1470-75

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Madonna del Magnificat (detail 1) 1480-81
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Madonna del Magnificat (detail 1) 1480-81

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The Story of Nastagio degli Onesti (first episode) c. 1483
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The Story of Nastagio degli Onesti (first episode) c. 1483

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Madonna of the Rosegarden (Madonna del Roseto) 1469-70
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Madonna of the Rosegarden (Madonna del Roseto) 1469-70

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Profile Portrait Of A Woman
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Profile Portrait Of A Woman

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Pallas c. 1490
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Pallas c. 1490

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Madonna and Child with Six Saints (Sant'Ambrogio Altarpiece) c. 1470
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Madonna and Child with Six Saints (Sant'Ambrogio Altarpiece) c. 1470

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Adoration of the Magi c. 1500
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Adoration of the Magi c. 1500

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The Virgin and Child Enthroned (Bardi Altarpiece) 1484
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The Virgin and Child Enthroned (Bardi Altarpiece) 1484

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Calumny (detail 1) 1495
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Calumny (detail 1) 1495

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Portrait of a Lady 1470-75
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Portrait of a Lady 1470-75

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Three Miracles of St Zenobius 1500-05
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Three Miracles of St Zenobius 1500-05

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Christ Crowned with Thorns c. 1500
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Christ Crowned with Thorns c. 1500

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The Story of Nastagio degli Onesti (detail 2 of the second episode) c. 1483
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The Story of Nastagio degli Onesti (detail 2 of the second episode) c. 1483

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The Story of Nastagio degli Onesti (forth episode) c. 1483
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The Story of Nastagio degli Onesti (forth episode) c. 1483

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Madonna del Magnificat (detail 2) 1480-81
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Madonna del Magnificat (detail 2) 1480-81

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The Virgin and Child with Two Angels and the Young St John the Baptist 1465-70
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The Virgin and Child with Two Angels and the Young St John the Baptist 1465-70

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The Temptation of Christ
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The Temptation of Christ

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Lamentation over the Dead Christ c. 1495
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Lamentation over the Dead Christ c. 1495

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Madonna and Child with Eight Angels c. 1478
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Madonna and Child with Eight Angels c. 1478

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Portrait of Dante c. 1495
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Portrait of Dante c. 1495

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Cestello Annunciation 1489-90
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Cestello Annunciation 1489-90

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The Birth of Christ 1476-77
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The Birth of Christ 1476-77

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Bardi Altarpiece (detail) 1484
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Bardi Altarpiece (detail) 1484

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Crucifixion c. 1497
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Crucifixion c. 1497

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Portrait of Lorenzo di Ser Piero Lorenzi 1490-95
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Portrait of Lorenzo di Ser Piero Lorenzi 1490-95

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Madonna and Child with an Angel c. 1470
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Madonna and Child with an Angel c. 1470

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The Holy Trinity
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The Holy Trinity

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Baptism of St Zenobius and His Appointment as Bishop 1500-05
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Baptism of St Zenobius and His Appointment as Bishop 1500-05

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The Annunciation c. 1485
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The Annunciation c. 1485

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Inferno, Canto XXXI 1480s
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Inferno, Canto XXXI 1480s

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Judith Leaving the Tent of Holofernes 1495-1500
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Judith Leaving the Tent of Holofernes 1495-1500

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The Birth of Venus (detail 2) c. 1485
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The Birth of Venus (detail 2) c. 1485

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Inferno, Canto XXXIV (detail) 1480s
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Inferno, Canto XXXIV (detail) 1480s

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The Virgin and Child with Four Angels and Six Saints (Pala di San Barnaba) 1488
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The Virgin and Child with Four Angels and Six Saints (Pala di San Barnaba) 1488

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Angel 1490
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Angel 1490

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Sandro Botticelli -One of the greatest painters

Sandro Botticelli is one of the most popular painters of the Florentine Renaissance who was born in 1445. This greatest painter's real name was Alessandro di Mariano Filipepi. He was born in Florence, Italy, in the year 1445. His paintings mainly represented the linear grace of Early Renaissance painting. Sandro Botticelli created popular paintings like The Birth of Venus and Primavera that represented the spirit of the Renaissance. This popular Florentine painter and draughtsman were among the most esteemed artists in Italy because of his amazing paintings. 

 

The early life of Sandro Botticelli:

The greatest Italian painter, Sandro Botticelli, was the son of a tanner named Botticelli; his nickname signifies a small wine cask. Sandro Botticelli was smart beyond his age, due to which he got bored in school at an early age. Sandro Botticelli was popularly known for his sharp wit and his love of practical jokes during his young age. Due to his sharp wit, he quickly earned a hyperactive reputation as a restless and impatient child, for which he was removed from school. After his talent was recognized, he was sent to work as an apprentice. Before entering the workshop of the artist Fra Filippo Lippi, he was first trained with a goldsmith named Maso Finiguerra. 

Sandro Botticelli started his career as a painter by painting frescoes for Florentine churches and cathedrals. Before starting his workshop, he also worked with the popular painter and engraver Antonio del Pollaiuolo. He started his first workshop in 1470 and then, in 1472, joined the confraternity of Florentine painters known as Compagnia di San Luca. Sandro Botticelli also employed his late teacher's son, Filippino Lippi, in his workshop as his apprentice. The best thing was he was able to complete Filippino's version of 'The Adoration of the Kings.'

Sandro Botticelli, the popular painter apprentice with Fra Filippo. And due to this apprenticeship with Fra Filippo, he was able to get multiple contacts which helped him have a successful career.  Sandro Botticelli spent all his life working for the Medici family and friends circle. And he painted some of the most ambitious secular paintings for the Medici family and friends circle, among which Primavera paintings are considered the best ones. Sandro Botticelli was also hired to help decorate the recently completed Sistine Chapel in the Vatican by the Pope to Rome. His paintings were mainly related to the scenes from the Life of Moses and the Temptations of Christ. 

 

 

Mythologies, religion, and Politics:

 Sandro Botticelli created many famous mythological works like 'The Birth of Venus' (in the Uffizi, Florence) & 'Venus and Mars.' His mythological works were a perfect combination of the decorative with elements of the classical tradition. During the last fifteen years of his life, Sandro Botticelli seems to undergo a crisis of style and expression. In favor of a more simplistic approach that seemed crude and heavy-handed by contrast, he rejected the ornamental charm of his earlier works. In the later age of his life, he made paintings that had deep meaning and religious overtones. In the later year, Sandro Botticelli becomes depressed and melancholy as his artwork feels out of favor. He never got married in a lifetime, as he preferred the company of his family and friends. He died in May 1510, but his name completely disappeared until the nineteenth century after his death. After the nineteenth century, a developing appreciation for Florentine arts and culture became interested in his work.