Romanticism
Romanticism
The Death of Ophelia1 Painting
Christ on the Lake of Gennezaret (sketch) c. 1841 Painting
A Mortally Wounded Brigand Quenches his Thirst Painting
The Death of Ophelia 1843 Painting
Self-Portrait as Ravenswood c. 1821
Christ on the Lake of Gennezaret (sketch) c. 1841
A Mortally Wounded Brigand Quenches his Thirst
The Inferno, Canto 18, lines 130-132: Thais is this, the harlot, whose false lip Answer’d her doting paramour that ask’d, ‘Thankest me much!’
The Inferno, Canto 8, lines 110-111: I could not hear what terms he offer’d them, But they conferr’d not long
The Inferno, Canto 18, lines 116-117: “Why greedily thus bendest more on me, Than on these other filthy ones, thy ken?”
The Inferno, Canto 30, lines 38-39: “ That is the ancient soul Of wretched Myrrha,”
The Inferno, Canto 19, lines 10-11: There stood I like the friar, that doth shrive A wretch for murder doom’d
The Inferno, Canto 21, lines 50-51: This said, They grappled him with more than hundred hooks
Jacob Wrestling with the Angel 1855
Pethworth Sussex, rope-fresh morning
A View From The Castle Of St. Michael, Bonneville, Savoy, From The Banks Of The Arve River
On the Washburn: A Study, c.1815
Hill with Turnbridge, domicile of the W.F. Woodgate
On the Mosell, near Traben Trarabach, c.1841
Tabley, the Seat of Sir J.F. Leicester, Bart. Calm Morning, c.1809
Mercury and Argus, engraved by James T. Willmore 1800-63 1841 Painting
Newark-upon-Trent, c.1796 Painting
Evening Landscape with Castle and Bridge in Yorkshire, c.1798-99 Painting
Dorchester Mead, Oxfordshire Painting
Hulks on the Tamar, c.1812 Painting
Norham Castle, 1824 Painting
The Thames near Windsor, c.1807 Painting
The Dockyard, Devonport, c.1825-29 Painting
Coteaux de Mauves, c.1830 Painting
A Yorkshire River Painting
