Leonardo Da Vinci

Leonardo Da Vinci
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Study for a kneeling Leda 1503-07
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Study for a kneeling Leda 1503-07

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Galloping Rider and other figures
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Galloping Rider and other figures

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Equestrian monument 1517-18
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Equestrian monument 1517-18

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The Madonna of the Carnation (detail 2) 1478-80
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The Madonna of the Carnation (detail 2) 1478-80

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Leda c. 1530
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Leda c. 1530

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Canal Bridge
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Canal Bridge

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Double manuscript page on the Sforza monument c. 1493
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Double manuscript page on the Sforza monument c. 1493

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Perspectival study of the Adoration of the Magi c. 1481
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Perspectival study of the Adoration of the Magi c. 1481

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Ceiling decoration (2) 1496-98
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Ceiling decoration (2) 1496-98

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Lily Detail
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Lily Detail

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Study of Cat Movements and Position 1517-18
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Study of Cat Movements and Position 1517-18

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Ceiling decoration 1496-98
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Ceiling decoration 1496-98

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Dessin Coition
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Dessin Coition

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Portrait of a Musician (Ritratto di musico)
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Portrait of a Musician (Ritratto di musico)

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Muscles of the neck and shoulders 1515
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Muscles of the neck and shoulders 1515

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Rearing Horse 1483-98
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Rearing Horse 1483-98

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Artillery
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Artillery

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Profile Of A Warrior In Helmet
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Profile Of A Warrior In Helmet

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Annunciation (detail) 7
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Annunciation (detail) 7

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Study Of The Madonna And Child With A Cat
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Study Of The Madonna And Child With A Cat

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Madonna Litta (detail) c. 1490-91
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Madonna Litta (detail) c. 1490-91

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Fruit Vegetables And Other Studies
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Fruit Vegetables And Other Studies

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Study of David by Michelangelo
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Study of David by Michelangelo

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Madonna and Child with a Pomegranate
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Madonna and Child with a Pomegranate

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St. John the Baptist (San Giovanni Battista)
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St. John the Baptist (San Giovanni Battista)

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Annunciation (detail 4) 1472-75
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Annunciation (detail 4) 1472-75

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Reverse side of the portrait of Ginevra de' Benci 1474-46
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Reverse side of the portrait of Ginevra de' Benci 1474-46

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Map Of Tuscany And The Chiana Valley
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Map Of Tuscany And The Chiana Valley

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Madonna of the Rocks (detail)
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Madonna of the Rocks (detail)

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Birch copse c. 1500
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Birch copse c. 1500

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Five Caricature Heads
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Five Caricature Heads

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Fetus
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Fetus

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Birds Eye View Of Sea Coast
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Birds Eye View Of Sea Coast

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St Jerome c. 1480
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St Jerome c. 1480

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Old man with ivy wreath and lion's head
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Old man with ivy wreath and lion's head

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Annunciation (detail 2) 1478-82
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Annunciation (detail 2) 1478-82

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Studies Of The Sexual Act And Male Sexual Organ
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Studies Of The Sexual Act And Male Sexual Organ

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Study Sheet With Cats Dragon And Other Animals
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Study Sheet With Cats Dragon And Other Animals

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Cannon Foundry
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Cannon Foundry

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Drawing Of A Womans Torso
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Drawing Of A Womans Torso

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Leonardo Da Vinci- A prominent name in the field of painting

John Martin was a popular English romantic painter who was best known as an author of historical paintings. The best thing about this popular painter is that his main subject for painting was religion. And for the religious subject, he used to make wide numbers of theatrical paintings and fantastic compositions. These paintings were mainly populated with minute figures placed in imposing landscapes. John Martin had a great and successful painting career which he enjoyed to a great extent.  Check  Oil Paintings  of this famous Artist  at our Art Shop

 

The early life of John Martin:

 

John Martin was born on 19th July 1789 in Haydon Bridge, Northumberland, England. This popular painter was also an engraver and illustrator. Due to the best paintings style, John Martin enjoyed great success. This popular English romantic painter was the fourth son of Fenwick Martin, who was a one-time fencing master. In the early stage of his career, John Martin was apprenticed by his father to a coachbuilder in Newcastle upon Tyne. Here he was able to learn heraldic painting. Due to some wages dispute, this popular English romantic painter was placed under an Italian artist, Boniface Musso. 

In the year 1806, Boniface Musso and John Martin together moved from Newcastle to London. At nineteen, this popular English romantic painter married in London and supported his family by teaching drawing lessons. John Martin made many popular paintings with watercolors and on China glass. To date, one can find one of the painted plates by John Martin in the private collection in England. Being an artist, John Martin begins to supplement his income by painting sepia watercolors. In 1810, he sent his first oil painting to the Royal Academy. This popular artist's main leisure was studying architecture and perspective, where he spent most of his time. 

The painting that John Martin sent to the Royal Academy in 1810 was not hung then again in 1811, and he sent another oil painting in the Royal Academy, which was hung. This painting is hung in the great room under the title A Landscape Composition. John Martin was motivated and started to produce a succession of large exhibited oil paintings, which included landscapes and grand biblical themes. At the end of the Royal Academy, Martin's first break came at the end of a season, where his canvas Sadak in Search of the Waters of Oblivion had been hung. It was his first major sublime canvas. He lost his father, mother, grandmother, and young son in a single year, interrupting his career. 

 

 

Paintings created by John Martin:

 

John Martin created many successful paintings like Sadak- In Search of the Waters of Oblivion. This was his first painting that was exhibited and hung in the Ante-room of the Royal Academy. He made many other successful paintings like Belshazzar's FeastThe Destruction of Pompeii and HerculaneumThe Creation (1824), the Eve of the Deluge (1840), and a series of other Biblical and imaginative subjects. His paintings were attractive and perfect /for which he was awarded. 

John Martin was also a mezzotint engraver, and for a significant period of his life, he earned more for engraving. He was also commissioned by Samuel Prowett to illustrate John Milton's Paradise Lost and was paid in return. He made many prints which provided him a great source of income. Some of his popular prints were like Pandemonium and Satan Presiding at the Infernal Council. Late in his life, John Martin turned away from paintings and became a part of many plans and inventions. He died at the age of sixty-four on 17th February 1854