Landscapes Paintings- Painted landscape
Landscapes Painting
The Rue Montorgeuil 30th Of June 1878
The Japanese Bridge At Giverny2
The Bridge Over The Water Lily Pond2
A Spot On The Banks Of The Seine
Landscape On The Ile Saint Martin
Poplars On The Banks Of The River Epte
Woman With A Parasol Aka Study Of A Figure Outdoors (Facing Left)
The Water Lily Pond Aka Japanese Bridge2
Woman With A Parasol Facing Right Aka Study Of A Figure Outdoors (Facing Right)
Innocent Amusements
Golden Hours
A Tryst
Summer Flowers
At the Garden Shrine, Pompeii
The Inferno, Canto 18, lines 130-132: Thais is this, the harlot, whose false lip Answer’d her doting paramour that ask’d, ‘Thankest me much!’
The Inferno, Canto 28, lines 116-119: By the hair It bore the sever’d member, lantern-wise Pendent in hand, which look’d at us and said, “Woe’s me!”
The Inferno, Canto 28, lines 30,31: Now mark how I do rip me: lo! How is Mahomet mangled.
The Inferno, Canto 25, lines 59-61: The other two Look’d on exclaiming: “Ah, how dost thou change, Agnello!”
The Inferno, Canto 29, lines 52-56: Then my sight Was livelier to explore the depth, wherein The minister of the most mighty Lord, All-searching Justice, dooms to punishment The forgers noted on her dread record.
The Inferno, Canto 11, lines 6-7: From the profound abyss, behind the lid Of a great monument we stood retir’d
The Inferno, Canto 18, lines 116-117: “Why greedily thus bendest more on me, Than on these other filthy ones, thy ken?”
The Inferno, Canto 30, lines 38-39: “ That is the ancient soul Of wretched Myrrha,”
The Inferno, Canto 12, lines 11-14: and there At point of the disparted ridge lay stretch’d The infamy of Crete, detested brood Of the feign’d heifer
The Inferno, Canto 19, lines 10-11: There stood I like the friar, that doth shrive A wretch for murder doom’d
The Inferno, Canto 22, lines 137-139: But the’ other prov’d A goshawk able to rend well his foe; And in the boiling lake both fell.
The Inferno, Canto 9, lines 124-126: “He answer thus return’d: The arch-heretics are here, accompanied By every sect their followers;”
The Inferno, Canto 17, line 117: New terror I conceiv’d at the steep plunge
Landscape Painting:
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