Gustave Dore

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Paolo and Francesca II
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Paolo and Francesca II

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The Ammonite and Moabite Armies Are Destroyed
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The Ammonite and Moabite Armies Are Destroyed

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The Inferno, Canto 18, lines 130-132: Thais is this, the harlot, whose false lip Answer’d her doting paramour that ask’d, ‘Thankest me much!’
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The Inferno, Canto 7, lines 118-119: “Now seest thou, son! The souls of those, whom anger overcame.”
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The Inferno, Canto 7, lines 118-119: “Now seest thou, son! The souls of those, whom anger overcame.”

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The Inferno, Canto 25, lines 59-61: The other two Look’d on exclaiming: “Ah, how dost thou change, Agnello!”
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The Inferno, Canto 25, lines 59-61: The other two Look’d on exclaiming: “Ah, how dost thou change, Agnello!”

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Ah! how they made them bound at the first stripe! (Canto XVIII., line 38)
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Ah! how they made them bound at the first stripe! (Canto XVIII., line 38)

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The Inferno, Canto 5, lines 72-74: 'Bard! willingly I would address those two together coming, Which seem so light before the wind.'
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The Inferno, Canto 5, lines 72-74: 'Bard! willingly I would address those two together coming, Which seem so light before the wind.'

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The Inferno, Canto 18, lines 116-117: “Why greedily thus bendest more on me, Than on these other filthy ones, thy ken?”
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The Inferno, Canto 18, lines 116-117: “Why greedily thus bendest more on me, Than on these other filthy ones, thy ken?”

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The Inferno, Canto 30, lines 38-39: “ That is the ancient soul Of wretched Myrrha,”
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50cm X 60cm [20" x 24"]

The Inferno, Canto 30, lines 38-39: “ That is the ancient soul Of wretched Myrrha,”

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The Inferno, Canto 14, line 37-39: Unceasing was the play of wretched hands, Now this, now that way glancing, to shake off The heat, still falling fresh.
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The Inferno, Canto 24, lines 89-92: Amid this dread exuberance of woe Ran naked spirits wing’d with horrid fear, Nor hope had they of crevice where to hide, Or heliotrope to charm them out of view.
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