Fantasy Art Paintings.
Charing Cross Bridge The Thames
Venice The Doges Palace Seen From San Giorgio Maggiore
The Inferno, Canto 34, lines 20-21: “Lo!” he exclaim’d, “lo Dis! and lo the place, Where thou hast need to arm thy heart with strength.”
Ah! how they made them bound at the first stripe! (Canto XVIII., line 38)
The Inferno, Canto 5, lines 72-74: 'Bard! willingly I would address those two together coming, Which seem so light before the wind.'
The Inferno, Canto 18, line 38: Ah! how they made them bound at the first stripe!
Where thou has need to arm thy heart with strength. (Canto XXXIV., line 21)
Call thou to mind Piero of Medicina, (Canto XXVIII., lines 69-70)
The Inferno, Canto 5, lines 137-138: I through compassion fainting, seem’d not far From death, and like a corpse fell to the ground.
The Inferno, Canto 6, lines 24-26: Then my guide, his palms Expanding on the ground, thence filled with earth Rais’d them, and cast it in his ravenous maw.
The Inferno, Canto 12, lines 11-14: and there At point of the disparted ridge lay stretch’d The infamy of Crete, detested brood Of the feign’d heifer
The Inferno, Canto 9, lines 87-89: To the gate He came, and with his wand touch’d it, whereat Open without impediment it flew.
The Inferno, Canto 22, lines 137-139: But the’ other prov’d A goshawk able to rend well his foe; And in the boiling lake both fell.
The Inferno, Canto 28, lines 69-72: call thou to mind Piero of Medicina, if again Returning, thou behold’st the pleasant land That from Vercelli slopes to Mercabo
The Inferno, Canto 17, line 117: New terror I conceiv’d at the steep plunge
The Inferno, Canto 9, line 46: “Mark thou each dire Erinnys.”
The Inferno, Canto 21, lines 50-51: This said, They grappled him with more than hundred hooks
The Inferno, Canto 22, line 70: In pursuit He therefore sped, exclaiming; “Thou art caught.”
The Inferno, Canto 13, lines 11: Here the brute Harpies make their nest
The Inferno, Canto 17, line 7: Forthwith that image vile of fraud appear’d
Triptych of the Family Moreel (closed) 1484
Last Judgment Triptych (detail-8) 1467-71
Triptych of Earthly Vanity and Divine Salvation (detail-2) c. 1485
Last Judgment Triptych (detail-10) 1467-71
Triptych of Earthly Vanity and Divine Salvation (front) c. 1485
Last Judgment Triptych (detail-9) 1467-71
Last Judgment Triptych (open) 1467-71
The Passion (detail 6) 1524-25
The Rich Man; The Queen 1523-26
The Noble Lady from Dance of Death 1524-26
The Humiliation of the Emperor Valerian by the Persian King Sapor 1521
Frescoes in the Villa Vallmarana, Vicenca, scene, the Greek fleet in Aulius, detail 1
Fantasy Artwork
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