Fantasy Art Paintings.
The Reconciliation of Rinaldo and Armida, 1836
Portrait of Louis II 1621-86 Prince of Bourbon, future Grand Conde
The Temptation of St Anthony (3)
Landscape with Dancing Satyrs and Nymphs
Landscape with Apollo and Marsyas, 1639-40
The Judgement of Paris 1645-46
The Origin of Coral or Perseus with Head of the Medusa
Landscape with Aeneas at Delos, 1672
Apollo and the Muses on Mount Helion (Parnassus) 1680
Scenes from 'Messaline' at the Bordeaux Opera
Dessin Guerrier Sur Un Cheval Cabre
The dragon on Smoke Escaping from Mt Fuji
Charing Cross Bridge Overcast Weather
The Grand Canal And Santa Maria Della Salute
Charing Cross Bridge Reflections On The Thames
Charing Cross Bridge The Thames
Venice The Doges Palace Seen From San Giorgio Maggiore
The Inferno, Canto 34, lines 20-21: “Lo!” he exclaim’d, “lo Dis! and lo the place, Where thou hast need to arm thy heart with strength.”
Ah! how they made them bound at the first stripe! (Canto XVIII., line 38)
The Inferno, Canto 5, lines 72-74: 'Bard! willingly I would address those two together coming, Which seem so light before the wind.'
The Inferno, Canto 18, line 38: Ah! how they made them bound at the first stripe!
Where thou has need to arm thy heart with strength. (Canto XXXIV., line 21)
Call thou to mind Piero of Medicina, (Canto XXVIII., lines 69-70)
The Inferno, Canto 5, lines 137-138: I through compassion fainting, seem’d not far From death, and like a corpse fell to the ground.
The Inferno, Canto 6, lines 24-26: Then my guide, his palms Expanding on the ground, thence filled with earth Rais’d them, and cast it in his ravenous maw.
The Inferno, Canto 12, lines 11-14: and there At point of the disparted ridge lay stretch’d The infamy of Crete, detested brood Of the feign’d heifer
The Inferno, Canto 9, lines 87-89: To the gate He came, and with his wand touch’d it, whereat Open without impediment it flew.
The Inferno, Canto 22, lines 137-139: But the’ other prov’d A goshawk able to rend well his foe; And in the boiling lake both fell.
The Inferno, Canto 28, lines 69-72: call thou to mind Piero of Medicina, if again Returning, thou behold’st the pleasant land That from Vercelli slopes to Mercabo
Fantasy Artwork
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