Eugene Delacroix

Eugene Delacroix
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Sketch for Peace Descends to Earth
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Sketch for Peace Descends to Earth

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The Garonne 1833-37
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The Garonne 1833-37

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Heliodoros Driven from the Temple (detail) 1854-61
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Heliodoros Driven from the Temple (detail) 1854-61

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The Bride of Abydos
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The Bride of Abydos

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Page Of A Sketchbook
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Page Of A Sketchbook

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Liberty Leading the People (detail 2) 1830
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Liberty Leading the People (detail 2) 1830

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Study For The War Coffer 1833-37
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Study For The War Coffer 1833-37

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The Justice of Trajan
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The Justice of Trajan

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Self-Portrait as Ravenswood c. 1821
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Self-Portrait as Ravenswood c. 1821

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Pieta 1850
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Pieta 1850

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Sitting Arab in Tanger
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Sitting Arab in Tanger

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Marocan And His Horse
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Marocan And His Horse

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Portrait of Aspasie
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Portrait of Aspasie

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Justice (detail 1) 1833-37
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Justice (detail 1) 1833-37

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Smoking Turk
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Smoking Turk

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Aspasia I
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Aspasia I

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Self-Portrait with Cap 1832
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Self-Portrait with Cap 1832

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The prisoner of Chillon
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The prisoner of Chillon

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The Massacre at Chios (1) (detail 2) 1824
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The Massacre at Chios (1) (detail 2) 1824

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Two Women at the Well 1832
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Two Women at the Well 1832

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The Massacre at Chios (1) (detail) 1824
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The Massacre at Chios (1) (detail) 1824

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The Entry of the Crusaders into Constantinople (detail) 1840
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The Entry of the Crusaders into Constantinople (detail) 1840

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Portrait of Frédéric Chopin (unfinished) 1838
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Portrait of Frédéric Chopin (unfinished) 1838

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Tasso in the Madhouse 1839
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Tasso in the Madhouse 1839

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Portrait of Alfred Bruyas
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Portrait of Alfred Bruyas

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The Abduction of Rebecca 1858
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The Abduction of Rebecca 1858

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The Massacre of Chios (2)
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The Massacre of Chios (2)

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Portrait of George Sand
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Portrait of George Sand

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A corner of the studio
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A corner of the studio

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Lion with a Rabbit
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Lion with a Rabbit

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Daniel in the Lions' Den
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Daniel in the Lions' Den

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Moroccan Women 1832
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Moroccan Women 1832

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Female Nude Killed From Behind
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Female Nude Killed From Behind

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Mlle Rose 1817-20
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Mlle Rose 1817-20

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Hamlet and Horatio in the Graveyard 1843
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Hamlet and Horatio in the Graveyard 1843

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Aspasia
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Aspasia

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Hamlet and Horatio in the Graveyard 1839
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Hamlet and Horatio in the Graveyard 1839

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Study For Jenny Le Guillou And Josephine De Forget
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Study For Jenny Le Guillou And Josephine De Forget

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After the Shipwreck
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After the Shipwreck

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Michelangelo in his Studio 1849-50
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Michelangelo in his Studio 1849-50

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Eugene Delacroix

Eugene Delacroix was a French Painter and Muralist known as the Master of Colors. He also had an extreme impact on the Romantic Movement. Delacroix became the English Romantic landscapists' eye and pulled out their techniques to develop a unique and memorable approach to color. 

Delacroix's paintings changed the artistic community forever, and his technique had an enduring impact on the Impressionist and Post-Impressionist movements. check our new range of Kinfe Paintings,   artwork online  at canvas art paintings 

Early Life

Eugene Delacroix was born on 26 April 1798 in France. He began studying art at the age of 17 and was trained under academic painter Baron Pierre-Narcisse Guerin- the neo-classical artist. Then Delacroix was put in charge of architectural decorations for another statesman, Adolphe Theirs. His early days were influenced by fellow Romantic artists as well as Polish composer and pianist Frederic Chopin.

Delacroix's work illustrated the influence of Michelangelo's and Peter Paul Rubens, as seen in Dante and Virgil in Hell, which the artist exhibited to the Salon of 1822.

Early Career

Delacroix spent most of his years decorating the walls and ceilings of government buildings. These mural drawings made him feel closer to his idol, Michelangelo. The canvases of his late-career include The Battle of Taillebourg and The Taking of Constantinople by the Crusaders.

While traveling to London, Delacroix studied the work of the English painters he greatly admired. He felt this trip had brought him closer to impersonate Rubens's colorful style. Delacroix continued traveling to Spain, Algeria, and Morocco. Morocco changed him forever; he was spellbound by foreign culture and continued to paint Arab subjects for the rest of his career.

Delacroix was customizing Romanticism, assimilating the influences of great masters such as Michelangelo and Peter Paul Rubens. Then he developed his style, with empathy for showing pain and suffering in his work through brightly colored canvases.

Eugene Delacroix works

Delacroix's style evolved over the years, and he stayed true to his displays of emotion and intense colors. His expressions were unrepressed, and his canvases outburst with energy. He is still applauded for his vivid, technical innovations.

In his first masterpiece, Dante and Virgil in Hell, his full and pure colors only took form from a distance. This technique inspired the Impressionist movement. Delacroix continued to paint with great intensity and emotion. His work Massacre at Chios in the year 1824, which displays the killing of 20,000 Greeks by Turks on the island of Chios, is a perfect example of his maturation in style.

Delacroix's sovereignty leading the People served to celebrate the recent French Revolution. His canvas reflected a change in the artist's style; he painted with passion and animation, but the overall tone was quieter, and his use of colors became even more extravagant.

Delacroix commonly used a studio in Paris with English painter Richard Bonington and was greatly influenced by his watercolors. The music of Romantic composer Chopin has also inspired Delacroix. He developed a friendship with a talented Polish composer and even painted his portrait.

Lastly, Delacroix has painted the hysterical freedom and joy of the revolution. His painting survives as the revolution's most fascinating visual icon. An extremely fruitful artist, Delacroix is honored with creating over 1500 watercolors and pastel drawings, 7000 drawings of other types, 800 oils, and 100 lithographs.