Erotic Art
Erotic Art
Vulcanus Takes Mars and Venus Unawares
The Deliverance of Arsinoe c. 1560
St Jerome and St Andrew c. 1552
Joseph and Potiphar's Wife c. 1555
Ariadne, Venus and Bacchus 1576
Yama-uba 2
Yama-uba
The Dream of the Fisherman's Wife
Models Hugs
The Delphic Oracle
Campaspe
A Priestess Ii
At The Thermae
Athenais
The Inferno, Canto 18, lines 130-132: Thais is this, the harlot, whose false lip Answer’d her doting paramour that ask’d, ‘Thankest me much!’
The Inferno, Canto 28, lines 116-119: By the hair It bore the sever’d member, lantern-wise Pendent in hand, which look’d at us and said, “Woe’s me!”
The Inferno, Canto 7, lines 118-119: “Now seest thou, son! The souls of those, whom anger overcame.”
The Inferno, Canto 7, lines 8-9: "Curs’d wolf! thy fury inward on thyself Prey, and consume thee!”
The Inferno, Canto 28, lines 30,31: Now mark how I do rip me: lo! How is Mahomet mangled.
"Ser Brunetto! And are ye here?" (Canto XV., lines 28-29)
The Inferno, Canto 29, lines 52-56: Then my sight Was livelier to explore the depth, wherein The minister of the most mighty Lord, All-searching Justice, dooms to punishment The forgers noted on her dread record.
The Inferno, Canto 30, lines 38-39: “ That is the ancient soul Of wretched Myrrha,”
The Inferno, Canto 29, lines 79-81: The crust Came drawn from underneath in flakes, like scales Scrap’d from the bream or fish of broader mail.
Triptych of the Resurrection The Resurrection (centre) The Martyrdom of St. Sebastian (left) and The Ascension (right)
Triptych of Adriaan Reins (central panel)
Scenes from the Passion of Christ (detail)
![Last Judgment Triptych (left wing) [detail: 1]](http://www.alphaartgallery.com/cdn/shop/products/FA-Memling-159.jpg?v=1678599240&width=900)
Last Judgment Triptych (left wing) [detail: 1]
Altar triptych from the Lübeck Cathedral, now in the St. Annen-Museum, middle panel crucifixion
Last Judgment (right panel) 1467-71
Last Judgment Triptych (central) 1467-71
Last Judgment Triptych (open) 1467-71
Compositional Study for William Rush Carving His Allegorical Figure of the Schuylkill River
