Erotic Art
Erotic Art
Portrait of a Woman Revealing her Breasts c. 1570
Joseph and Potiphar's Wife c. 1555
Mercury and the Three Graces, 1578
Ariadne, Venus and Bacchus 1576
Venus Binding Her Hair
Venus At The Bath
The Delphic Oracle
Study Of Campaspe
In The Tepidarium
Campaspe
A Priestess Ii
A Priestess
At The Thermae
Athenais
Nu Sur La Plage (Nude on the Beach)
A Pompeian Bath
The Ammonite and Moabite Armies Are Destroyed
The Inferno, Canto 18, lines 130-132: Thais is this, the harlot, whose false lip Answer’d her doting paramour that ask’d, ‘Thankest me much!’
The Inferno, Canto 7, lines 118-119: “Now seest thou, son! The souls of those, whom anger overcame.”
The Inferno, Canto 25, lines 59-61: The other two Look’d on exclaiming: “Ah, how dost thou change, Agnello!”
Ah! how they made them bound at the first stripe! (Canto XVIII., line 38)
The Inferno, Canto 5, lines 72-74: 'Bard! willingly I would address those two together coming, Which seem so light before the wind.'
The Inferno, Canto 18, lines 116-117: “Why greedily thus bendest more on me, Than on these other filthy ones, thy ken?”
The Inferno, Canto 30, lines 38-39: “ That is the ancient soul Of wretched Myrrha,”
The Inferno, Canto 14, line 37-39: Unceasing was the play of wretched hands, Now this, now that way glancing, to shake off The heat, still falling fresh.
The Inferno, Canto 24, lines 89-92: Amid this dread exuberance of woe Ran naked spirits wing’d with horrid fear, Nor hope had they of crevice where to hide, Or heliotrope to charm them out of view.
![Last Judgment Triptych (left wing) [detail: 1]](http://www.alphaartgallery.com/cdn/shop/products/FA-Memling-159.jpg?v=1678599240&width=900)
Last Judgment Triptych (left wing) [detail: 1]
Last Judgment Triptych (detail-6) 1467-71
Last Judgment Triptych (detail-1) 1467-71
Last Judgment Triptych (detail-5) 1467-71
Last Judgment Triptych (detail-8) 1467-71
