Antoine Watteau

Antoine Watteau
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The Camp
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The Camp

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The Delicate Musician
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The Embarkation of Cythera (detail 5)
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The Embarkation of Cythera (detail 5)

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The Capricious Girl
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Fetes Venitiennes
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Fetes Venitiennes

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The Embarkation of Cythera (detail 6)
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The Embarkation of Cythera (detail 6)

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The Embarkation of Cythera (detail 2)
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The Embarkation of Cythera (detail 2)

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Sketch with Two Figures
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Sketch with Two Figures

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The Hardships of War
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The Hardships of War

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The Embarkation of Cythera (detail 4)
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The Embarkation of Cythera (detail 4)

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L'Enseigne de Gersaint (detail) 2
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L'Enseigne de Gersaint (detail)

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Rendez-vous de chasse (detail 3)
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Rendez-vous de chasse (detail 3)

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Peaceful Love
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Peaceful Love

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Pilgrimage to Cythera (detail) 2
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Pilgrimage to Cythera (detail) 2

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Rendez-vous de chasse (detail 2)
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The Blunder
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The Blunder

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Rendez-vous de chasse (detail 1)
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Rendez-vous de chasse (detail 1)

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La Boudeuse
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La Boudeuse

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Les Charmes de la vie (detail)
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Les Charmes de la vie (detail)

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Les Plaisirs du bal (detail 2)
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Les Plaisirs du bal (detail 2)

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Les Plaisirs du bal (detail 1)
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Les Plaisirs du bal (detail 1)

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Pilgrimage to Cythera (detail)
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Pilgrimage to Cythera (detail)

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Gersaints Ladenschild (detail 3)
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Gersaints Ladenschild (detail 3)

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Gilles (detail)
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Gilles (detail)

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L'amour au théâtre italien (detail)
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L'amour au théâtre italien (detail)

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Jupiter und Antiope (detail 2)
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Jupiter und Antiope (detail 2)

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Jupiter und Antiope (detail 1)
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Jupiter und Antiope (detail 1)

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Gersaints Ladenschild (detail 1)
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Gersaints Ladenschild (detail 1)

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Le Conteur Artists from the Commedia dell'Arte in a landscape
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Le Conteur Artists from the Commedia dell'Arte in a landscape

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Fêtes galantes (detail 3)
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Fêtes galantes (detail 3)

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Gersaints Ladenschild (detail 2)
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Gersaints Ladenschild (detail 2)

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Two Cousins c. 1716
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Two Cousins c. 1716

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Fêtes galantes (detail 2)
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Fêtes galantes (detail 2)

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The Foursome
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The Foursome

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The Italian Comedy 1714
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The Italian Comedy 1714

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Amusements champêtres (detail 1)
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Amusements champêtres (detail 1)

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Fêtes galantes (detail 1)
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Fêtes galantes (detail 1)

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Venus disarming Cupid
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Venus disarming Cupid

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Amusements champêtres (detail 2)
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Amusements champêtres (detail 2)

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Antoine Watteau

Childhood

Antoine Watteau was born in Valenciennes, a city in Northeast France known to be a part of Flanders 1678. His father was a violent man that affected Watteau. From an early age, Watteau showed interest in drawing. 

His drawings were believed to be of a traveling salesman. Watteau's first teacher was the city's best-known painter, Jacques Albert. However, Albert's work remained rooted, and his early work has no trace.  Looking master oil paintings of this artist? contact us for  commission artwork  and paintings  

 Early work

In 1702 Watteau started his real training and shifted to Paris. Those days, France was into the war of Spanish succession. By 1701, the greatest artists of that generation were dead, and the only remaining genre was a portrait, which was not Watteau's forte. He was not formally educated or socially connected but was highly observant, curious, and intelligent. He loved music, ballet, and opera and was also a Catholic reader and enthusiastic about learning new stuff. He didn't want to return to Valenciennes. He found a studio in Point Notre-Dame, and there, he started a painting business to support himself. An old master from Edme-Francois inspired Watteau greatly.

In 1704 Watteau started his training with Claude Gillot, who played a huge role in his development. Claude was a brilliant draughtsman than a painter; his designs and subjects inspired Watteau. After spending four years with Claude, Watteau learned many techniques and skills of decorative panel painting. He was very popular with his acrobatic sense of line, witty motifs, and delicate use of color, but soon Watteau surpassed him, and they parted ways in 1708. After that, Watteau entered the studio of the king's leading decorators, Claude Audran III. Audran opened many Opportunities for Watteau. Audran helped Watteau get access to study many works, and it helped Watteau improve his creativity.

Mature period

Watteau developed quickly and learned to work in a short time. He developed an intuitive sense of motif and line. Watteau left Audran's studio in 1709, and it is not clear how long Watteau produced decorative paintings after that. In 1725 Watteau won the second prize in the Prix De Rome competition. But like all the ambitious artists, Watteau also wanted to study in Italy, but he was disappointed at missing out on the first prize, so he returned home. In 1712 Watteau returned to the Academy, and in 1717 he became a full academician with his painting "The pilgrimage to the island of Cythera." He was committed to a new genre which the Academie started especially for him. Watteau was not a popular artist, but he inspired many artists at that time. In 15 years, he was very successful as an artist.

Death

In 1729 Watteau got seriously ill with tuberculosis. Watteau never had a strong health situation that became worse for him. The reason behind the infection was never clear. Some theory suggests that he got infected in London when he painted two pictures with Richard Mead, a collector and a physician. And other theories suggest that he traveled to London only to seek treatment from Mead. In 1720 he returned to Paris and lived there for three months with Gersaint, the art dealer from his early career. He hoped to recover enough so that he can return to Valenciennes. In 1721 Watteau stayed in a village east of Paris. There he continued to paint, and he passed away in that same year. After Watteau died in 1721, his friend published volumes of prints of his work.