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Venus with a Satyr and Cupids c. 1588
Triumph of Bacchus and Ariadne
Triumph of Bacchus and Ariadne (detail)
Venus at her Mirror (The Rokeby Venus) 1649-51
The Quarry Pool, Folly Cove, Cape Ann
Brothel on the Rue des Moulins: Rolande
The Temptation of Adam and Eve
Vulcanus Takes Mars and Venus Unawares
The Deliverance of Arsinoe c. 1560
Joseph and Potiphar's Wife c. 1555
Nu Sur La Plage (Nude on the Beach)
The Inferno, Canto 18, lines 130-132: Thais is this, the harlot, whose false lip Answer’d her doting paramour that ask’d, ‘Thankest me much!’
The Inferno, Canto 7, lines 118-119: “Now seest thou, son! The souls of those, whom anger overcame.”
Ah! how they made them bound at the first stripe! (Canto XVIII., line 38)
The Inferno, Canto 25, lines 59-61: The other two Look’d on exclaiming: “Ah, how dost thou change, Agnello!”
The Inferno, Canto 18, lines 116-117: “Why greedily thus bendest more on me, Than on these other filthy ones, thy ken?”
The Inferno, Canto 30, lines 38-39: “ That is the ancient soul Of wretched Myrrha,”
The Inferno, Canto 14, line 37-39: Unceasing was the play of wretched hands, Now this, now that way glancing, to shake off The heat, still falling fresh.
The Inferno, Canto 24, lines 89-92: Amid this dread exuberance of woe Ran naked spirits wing’d with horrid fear, Nor hope had they of crevice where to hide, Or heliotrope to charm them out of view.
Triptych of Earthly Vanity and Divine Salvation (front) c. 1485
Last Judgment Triptych (open) 1467-71
William Rush Carving his Allegorical Figure of the Schuylkill River 1876-77
